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Architecture of the Heart

~ Breathing through my feet while exhaling and diving into the vast ocean of space and time

Architecture of the Heart

Monthly Archives: December 2012

Time Travel

15 Saturday Dec 2012

Posted by oberonsky in Musings

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observations, thoughts, travel

It is rather odd this notion of air travel. We hurl ourselves so fast into the future or the past depending on our relative point of departure and destination. Regardless, we press ourselves into such small spaces to save time in transit and yet never really are able to comprehend how much time we remove on our lives due to the mere stress on the body and the soul.

We’re we really meant to fly so far and so fast breaking barriers of space and time so fast that our brains and our bodies are not actually cobble of absorbing the stores put on them? Is this lap a reflection on how quickly our lives are moving in relationship with technology? Are we actually physically and emotionally capable of breaking these thresholds?

I wonder at what point we might wake up and realize the new to establish boundaries or limits on what we Re able to experience out of the mere fact of saving our souls. Are we as a species even able to regulate
ourselves in these ways?

Returning to Magical Moments at Dusk and Dawn

12 Wednesday Dec 2012

Posted by oberonsky in Musings, Soul to Soul

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Believing, Conscious Living, Courageous Vulnerability, Creativity, Dream, gay, Love Between Men, Seeing, Soul to Soul, spirit, universal heart, Wonder

I have been longing for the magic of returning to the bed in a magical and blissful state of existence in both returning to and leaving it as part of an assigned ritual of my day. I say this only because I have such fond memories of those sacred moments as part of my past and subsequently with two separate loves of my life.

 

I have lost this enchanted moment in my existence as of late as I tumble into bed exhausted, frustrated, or confused from the day that has just ensued. Perhaps the loss of magic and wonder throughout my day has taken over or replaced the sacred act of nesting and awakening my body. As of late I have been feeling the need to return to this place as perhaps a starting point of reconnection.

 

In thinking about this I wandered down the path of my life of love with truly the first long term relationship that contained a weaving of two lives and spirits in one of the deepest and grown up ways possible at that time.  I was in a relationship with a young man named Troy. He too was a dancer but he had a very strong connection to literature that I did not and opened a vast ocean of insight and magic through his passion and love of words and eloquent story.

 

Because of his passion and my ever creative dreaming mind, we would come together at night before bed or after an incredible session of love making and play to get lost within the sheets of our bed and whisper thoughts to one another to clear our heads and our hearts. We made a promise early into our relationship that we would not go to bed without expressing our hearts of anything we needed to let go of so that sleep would be ours and solidify the love and space in bed that we shared.

 

As the relationship grew and much time passed between us, we fell into the ritual of reading to one another allowing for a portal of dreams to enter the dream world and our slumber. We started with the Griffin and Sabine books and read letters to one another as we walked ourselves through those pages. Once devouring that we moved onto other books and material that deepened and enchanted that time together. There was much magic and love shared as well as a deep and rich connection to the world of words and wonder.

 

And, as many of our lives go, that relationship ran its course and time passed with life brining another young man into my life who brought his own sense of magic and wonder love into my life. This particular person was gifted as a dancer also but possessed the colorful magic of the canvas and visual world. Nathan was such a gifted seer who spent many magical moments listening to his heart and living deeply from and in that space.

 

Early on in that relationship, dare I say even right away, we started a ritual perhaps inspired by that shared with Troy.  Nathan and I awoke to magic and spent much of our time lingering in the bed telling one another stories and creating a whole series of children’s books with vibrant adventures and new mythologies. We would spend literally hours wrapped in one another intertwined in our limbs whispering and giggling as we created worlds within worlds of wonder.

Much of these worlds lived simply as a way of staying in bed with one another simply longing for more time. It was if we could not get enough of one another physically so we made up stories to keep us close. It was an amazing time to suspend time and space allowing the stories of our hearts to bring us closer creating new stories of our own. Perhaps creating the story of us.

 

Both of these times hold such a tremendous richness and respect for time, place and person. Both of these had there own unique sense of magic, splendor, and enchantment. Both of these whispering to me now as I long for a little more magic in my life and deeper connection to every single moment of my life both awake and at rest.

 

Perhaps it is time to create a new ritual of return and release. Perhaps it is time to re-enchant my world in many ways that have brought blissful magic to my life in the past. Thank you Troy for inspiring my love of word and my yearning for story. Thank you Nathan for inspiring the color that magic and fantasy can bring to that story. Most importantly, thank you both for allowing me the time in your lives allowing me the space to love and to explore the magic of love. It is now forever a part of the story of my heart.

 

Is It Enough?

11 Tuesday Dec 2012

Posted by oberonsky in Uncategorized

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choreography, Creativity, Dance, growth, lessons learned, modern dance, process, society and culture, spirit, Technique

Is it enough to be creative and to make work without the expectation of praise?

Is it enough to just do something because you love to do it and the work itself gives you joy?

Is it enough to live simply not wanting to hold a position of power or recognition?

Is it enough to exist as you are despite being incongruent with society as a whole?

Is it enough to desire to live in this moment, right here and right now?

I have been asking myself these questions as of late and for every single one of them my answer continues to be, yes. I keep coming back to the simple fact that I am enough. I am constantly reminded that what it is I do is enough. What it is I make is enough. What I believe is enough.

This is not to say that I am complacent with where I am at. Far from it actually. Yet, I do feel the need to honor who I am and what it is I do. This should not be belittled simply because I haven’t fought tooth and nail to persuade or justify my existence to you in order to believe in it or me.  I often wonder if we spend more time selling ourselves than actually investing in our work. Our overly politicized culture trapped in a façade of success is really killing the creative process and a sense of equality and diversity in our work and in thought.

Is it a wonder that so many things are passing fads? Are we surprised by the sheer gluttony of our disposable culture? Where has the craft and ritual of process gone? Where has the compassion and understanding for craft gone? Why is it we are unable to see who it is we are within what we make rather than what we can get out of it or where it will take us?

Thinking about all this brought me back some years to a talk back after a concert of Trisha Brown’s at the Harold Washington Library Theater presented by the Dance Center of Columbia College. There was a question that Shirley Mordine asked Trisha regarding the making of her work and who she makes it for. I was surprise by this question but at the same time understood its context. Many people know her as a very intellectual and conceptual cutting edge choreographer and I believe the question was designed to get at what kind of audience she makes her work for.

What surprised me was her response. She very quickly answered that she makes her work for her and for her friends. At the time I thought that this might be why many people are not quite able to grasp her post-modern conceptual approach to work and thought it a very interesting response. Yet now, I believe the answer was something so much more simple and true. What I think she meant is what I am beginning to understand for myself now. She was making work that fulfilled her and that would engage the people she loved around her in conversation and thought about life, art and aesthetics.

When I think of myself now and go back the very questions I presented earlier I realize perhaps I am coming back to what I missed as a young dancer and choreographer hungry for success. What I missed was clarity of being over a desire to be acknowledged or recognized. What I understand now is that I no longer wish that recognition, I just wish to make and share with those that I love engaging in the art and act of making something beautiful.

A Cycle No More

11 Tuesday Dec 2012

Posted by oberonsky in Soul to Soul

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creation, Cycle, process, resolve, return, soul, spirit, Understanding

We pass so that we might bloom once more. We cycle again and again, each time deepening our process and our spirit.

And when we make our final pass, we live so deeply that our beauty transcends the necessity for us to bloom anymore.

A Need for Center Line Practice

09 Sunday Dec 2012

Posted by oberonsky in Elemental Body Alignment System (EBAS), Shaping Space

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Ballet, Conscious Living, Creative Flow, Dance, Mindful Action, Teaching, Technique

I have come to understand the relationship between a conscious awareness of center line integration and the extremities of the body. If one does not find an anchor from the intrinsic strength established by a physical understanding of anchoring ones movement from the ascending and descending energy of the center-line, then the outside eye will be able to detect a weakness and imbalance by observing the body trying to grab on to space exhibiting unnecessary tension in the extremities.

 

When a dancer has tension in the wrist, elbow and shoulders; or in the inability to track the ankle knee hip appropriately, one is not accessing the necessary strength found within the strength of center line practice. If the connection to the flow of energy from the center line is blocked or broken, it will be reflected elsewhere in the body.

 

Dancers are much weaker than they realize especially when it comes to understanding how to access the integration of center-line practice and strength in the standing leg.  It is crucial in the physical developmental growth of a dancer to take the time to build strength, integration and open energetic pathways through repetition so that they might understand clearly how to make the shifts and changes they need to anchor themselves the space within themselves that resides along the upper and lower center lines of the body.

 

 

There has been a disservice done to students who are only experiencing movement to keep their minds busy rather than experiencing a conscious understanding of how to activate technical skills to fulfill the movement experience in the first place.  If a student just moves about space hoping to get something right rather than really understanding in the moment how to put said technical skill into practice, the dancer will then be at the mercy of fate or the odds to get the information rather than spending the right kind of time necessary in order to make the shift themselves.

 

If we continue to teach movement for the sake of movement administering movement as a baby sitter to keep the mind of the student distracted from the reality of technique; we not only do the student an egregious disservice to their educational process, but we also weaken the opportunity for technique to evolve or reside with integrity inside the art form itself.

There Is Only This Moment

09 Sunday Dec 2012

Posted by oberonsky in Soul to Soul

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Believing, Conscious Living, Courageous Vulnerability, Mindful Action, path, Seeing, universal consciousness, well being

I used to wish

Yet now there is nothing more to wish for

I once had hope

But there is little left to hope for

I at times found myself lost in dreams

Somehow all the dreams have faded to black

 

Now there is only this moment

Conscious, clear and definitive

It is in this space I find myself and find reality

What is, is where clarity and truth live

It is here, right now, in this place

The present washes away everything else

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